Applications for Executive Director are closed. Thanks to all who applied.
Oregon Writers Colony
Executive Director Application
We are pleased to announce we are now accepting applications for the position of Executive Director of the Oregon Writers Colony. The Executive Director works 20 hours a week from home. In close collaboration with the volunteer Board of Directors, the position is responsible for the operational management of the organization, including six annual Literary Lounge gatherings, the Colonyhouse in Rockaway Beach, an annual retreat, and other events and duties. The Executive Director must have strong management, planning and visioning skills. The Executive Director is expected to attend monthly Board of Director meetings and executive committee meetings.
Our mission statement expresses our core values: Oregon Writers Colony offers support to writers in all stages of their writing careers, from novices to published authors. Members benefit from classes, inspiration from teachers and colleagues, and access to Colonyhouse, a lovely writing retreat on the Oregon Coast.
The ideal candidate will help us continue to thrive and grow into the future.
Questions about compensation should be directed to Board President Becky Kjelstrom at firstname.lastname@example.org.
All applicants must submit a resume, a detailed response to the following four questions and current contact information.
1. Describe your experience or knowledge of program development and long-term strategic planning.
2. Cite two or more instances of successful fundraising in which you have participated as a leader. These may be large or small projects.
3. Describe your supervisory and management experience. The ability to work successfully with volunteers is desirable.
4. Explain why the Oregon Writers Colony should hire you as Executive Director.
Please reply to: email@example.com. In the email subject line, type OWC ED. In the email, please include your name and contact information. Please attach to the email your resume and the answers to the above four questions. You may also submit your resume and answers to Oregon Writers Colony, Executive Director Application, PO Box 15200, Portland, OR 97293-5200.
Thank you for your interest in Oregon Writers Colony!
Stephanie is selectively adding writers from a variety of genres, including commercial and literary fiction, upmarket women’s fiction, historical fiction, thrillers, fantasy, new adult, and nonfiction. She is especially interested in writers who tell original stories with strong narratives and create distinctive characters. Her literary mantra: “Character, character, character!”
Here are some recent author publications that she has represented:
- The Secret Wisdom of the Earth, by Christopher Scotton
- Vanessa and Her Sister, by Priya Parmar
- We Are Called to Rise, by Laura McBride
- The Unexpected Waltz, by Kim Wright
- The Cairo Affair, by Olen Steinhauer
- The Resistance Man, by Martin Walker
- Small Move Big Change, by Caroline Arnold
- Hild, by Nicola Griffith
- Babayaga, by Toby Barlow
- The Demonologist and The Damned, by Andrew Pyper
She has worked with the Gernert Company since 2005. She began her career as an agent in London, where she spent nine years at William Morris—London, building a list of international best-selling and prize-winning authors. The last five years of her tenure with William Morris in London, she was managing director.
Half French, half American, Stephanie was educated in Europe and in the United States. She majored in history at Harvard.
She now spends her weekends working on a family dairy farm, Boggy Meadow, with her husband and four children.
To reserve your opportunity to pitch to Stephanie, sign up with your conference registration: $15.
This is an excerpt from the winning nonfiction entry in the 2014 Oregon Writers Colony writing contest.
The Hope He Had
By Ryan Chin
Sometimes a walk with your dog is not always just a walk with your dog…
That’s what the detective told me when the case was closed.
It started when I took my dog to a river. Gnarled tree stumps carried from headwater streams shared the shoreline with plastic bottles, candy wrappers, and the occasional hypodermic needle. Cranes dotted the Willamette River’s banks, perched over the water like herons waiting for prey. The metal reverb of shipping containers echoed across the water. Ospreys and gulls traded calls. Vessels of all sizes sliced the surface of the river. Cormorants bobbed in their wakes, diving for long minutes in search of food. Cars raced east and west on the bridges, salmon charged upstream, and century-old sturgeon sifted through silt in the depths.
I roamed the river’s edge, pocketed pebbles, and wrestled large pieces of driftwood back to my van for my garden. My footprints were crisscrossed with the drag marks of my latest finds. Big Head, my yellow lab, pawed and chewed at the logs as we moved along, steady but unhurried, like the currents at our side.
I noticed the black briefcase first. Zippers open, sand sticking to the cloth areas. With warning thoughts about heroin needles, I searched the main compartment and pockets, never plunging my hand in blindly. No identification. Empty. Then I noticed the shoes, the shirts, and the pants nearby. I wondered if the contents had spilled out naturally, or if someone had dumped them looking for bounty. I knelt, reached for the nearest pants pocket and felt the unmistakable shape of a wad of money, rolled and bending slightly with each squeeze of my hand.
My gaze shot up and down the bank. Was there a body? Was someone watching me? Was I getting involved in something I should avoid? Not wanting to stand up with the wad of bills, I pretended to tie my shoes, slipped the money into my socks, and scurried away. Back in my van, I counted the money—ten one-hundred-dollar bills, cold and damp from the river.
Marilyn Catherine McDonald announces the release of her fifth novel, “Read.Reflect.Respond.Rest. 366 Daily Reflections on Random Selections from Scripture.” The print-on-demand book is now available through Amazon.
McDonald’s latest book is an almost four-year record of her daily reflections on random selections from the Bible that she describes as a “journey to the center of her being” through a daily spiritual exercise.
McDonald has been a professional writer since 1967. She received her undergraduate degree from Portland State University in 1975, and her Masters Degree in Communications from University of Portland in 1977.
This is an excerpt from the winning fiction entry in the 2014 Oregon Writers Colony writing contest.
The Owl on the Road to Medford
By Ann Littlewood
The young green heron, all beak and long fragile bones, fought every bite of herring I poked down its gullet. The bird shuddered from breast to beak tip trying to dislodge the last sliver. “Cut that out. You gotta eat,” I told it. We both started when the doorbell rang. Damn. I set the heron back in its cage and said, “If you barf all that up, I’ll rip your beak right off.” A lie and a waste of breath.
A couple at the door. The woman held—as ever—a cardboard box. Miller Genuine Draft, duct tape all over it. “Evening,” I said. “What you got there?” It was late and the Closed sign was up, but they’d buzzed the clinic doorbell anyway.
She said, “Sorry, Mister, but we found this bird in the road. The gas station guy said you’d take care of it. It was just sitting there where somebody would run over it.”
Probably another baby robin. We’d taken in a dozen already, also an armada of baby mallards, eight scrub jays squalling for Mom, and three bitty squirrels squirming in a heap. Springtime—when humans get their hands on wildlife too young to escape and haul them to the local wildlife rehab center.
The man said, “Innerstate 5. Southbound, at the roadside rest area. Some kind of chicken hawk.” To her—“Give it to him and let’s go.”
“I couldn’t just leave it there,” the woman said, and looked sideways at him with her eyes narrow.
His mouth twitched, sour. “We’re here, aren’t we?”
Late twenties, maybe, both of them, and raised poor. Everyone in Oregon wears sports shoes and jeans, but their front teeth gave them away. His were chipped, hers crowded. That, and their hair. His thick ponytail poked out under a faded Mariners cap, she had two inches of brown pushing yellow away. Broke for a good while.
And both of them tired and cranky. Way cranky.
No sense of danger, even though I was alone. Too road-weary and wrapped up in their own problems. Dollar bills in the donation jar weren’t worth a scuffle. Anyway, I’m big enough that no one bothers me, not without giving it some thought.
She followed the box as I took it and set it on the counter.
He stayed at the door. “Stinks in here.”
Of course it stinks. Bird shit and bait herring and feeder mice. The chlorine disinfectant is the worst. Get over it.
I tore off the tape and opened it up, careful of my eyes. You never know what’s going to bust out talons-first. But this bird sagged in a corner, one wing drooping. Eight inches of speckled brown feathers with tufts on top of its head. “It’s a screech owl.”
The woman made a little snort and muttered, “Chicken hawk, my ass.”
The guy crossed his arms over his chest—blurry dark tattoos. “What do you know? I’ve seen owls. They’re bigger.” Talking to her.
“Owls come in all sizes,” I said, trying to paper over hostility with information. Waste of breath. I reached in and wrapped a hand around the bird’s legs up close to its body. It snapped its beak, no fight in it. I laid it on its back on the counter, the woman leaning close and the man watching, too. The breast felt solid with muscle, not starved down. A recent disaster. With my free hand, I worked along the thin bones hidden under feathers, testing for the tiny crunching wiggle that means a break. Crepitation, it’s called. “Wings are good.” The legs were fine, too. One big yellow eye had a little blood in it. “Concussed. I’ll get it to the vet tomorrow. Probably hit by a car.” I straightened up. “Minding its own business and got clobbered out of nowhere.”
The guy said, “That happens every day. Every damn day.”
When I can, I tell people they did right by trying to help a wild creature. Sometimes it’s a pitch for a donation. Not this time, but still. “It’s stunned and can’t hunt. It would have died out there. Here, it’ll be safe and fed and have a chance. We’ll set it free if we can.”
That always eases people, and it did for her. The guy relaxed a little, too, but kept the impatience. “We gotta go. We got a lot of miles ahead.”
“Where to?” I asked, to be polite.
He said, “Medford, land of milk and honey. Or so I’m told.”
She snapped, “Land where one of us can get a job.”
I folded up the wings to carry the owl to the back room.
He said, “You got what you want, like always, so quit stalling and let’s go.”
“What I want is not have to fix your problems. You can’t ask me to raise—”
“Shit.” I didn’t intend to say it aloud. I wanted them gone.
“What?” She turned away from him and crowded me to see the bird.
I touched its lower belly. “Didn’t see it. This big pink spot with no feathers? Brood patch. She’s been sitting on eggs. Or chicks.”
She stepped back and frowned. Wide brown eyes looked a question at me.
I dodged it. “Good timing for her to show up. We’ve got a screech owl youngster in back. It can imprint on this one.” She followed me behind the counter into the back room without asking. Not allowed, but I let it go. After a few seconds, I heard him step after us.
I set the newcomer next to the half-grown chick in a plastic box. It sidled away. The couple stared at the two owls, wild animals catching people’s attention the way they do, while I fetched some cut-up mouse pieces and laid them in front of the birds. Maybe one or the other would eat on its own. Better by far than force-feeding.
The new owl leaned against the side, blotto.
The woman shifted, uneasy. “What about her babies?” She wasn’t going to let it go.
“The dad might handle it. The males help out.”
“He couldn’t do it alone.” The guy was dead certain. “No way.”
The woman’s hands clenched to fists. “We’ve gotta take her back where we found her.”
I shook my head. “She’s too out of it to survive.”
“But her babies will die.”
The guy said, “You can’t save every single one.” Not sarcastic, just saying it.
“You absolutely got that right.” She chewed on her lower lip, scowling.
He said, “It’s not right I have to choose.”
She ignored him and watched the owls. “I could find the exact spot where we picked her up.”
I wondered if I’d have to fight her for the bird.
Cara Black, New York Times bestselling author of the Private Investigator Aimee Leduc Series, which is set in Paris, will present “Setting as Character.” Her latest book is Murder in Pigalle.
We’ll have more details about the conference as they become available. Registration will open in December. Stay tuned — this conference is sure to sell out!
C. Lill Ahrens, contest coordinator for the 2014 Oregon Writers Colony writing contests, has announced contest winners.
Ryan Chin, Portland, Oregon, “The Hope He Had”
Nonfiction final judge Jenn Weaver-Neist says about the story:
“From the very first page, “The Hope He Had” offers an inviting cargo of goods: mystery, rich rivers of description, and the author’s natural curiosity that eventually journeys into the American experience. The first-person observations are welcome threads from the fabric of the author’s everyday life, with his two young sons and Big Head the family dog playing complementary roles in his discoveries. Readers share in his reflections too, sifting through perspective and detail to arrive comfortably at the same conclusion: that this is a story about the genealogy of hope, our common ancestry — the tree that never dies.
Rachael Pruitt, Eugene, Oregon, “Being Seen – 1972″
Michael Coolen, Corvallis, Oregon, “What Is That Thing”
First Honorable Mention
Karen Keitz, Tillamook, Oregon, “Yellow”
Other Honorable Mentions (alphabetical by author)
Stacy Carleton, Portland, Oregon, “Making Room in an Occupied Heart”
Valerie Lake, Corvallis, Oregon, “Night of Lions”
Gail McNally, Beaverton, Oregon, “Fred’s Fall”
“Entries of Note” (alphabetical by author)
Art Edwards, Portland, Oregon, “The Bastard Who Cut My Hair”
Robert Freedman, Portland, Oregon, “Busted”
Donelle Knudsen, Richland, Washington, “Desert Rose or a Blooming Miracle”
Ann Littlewood, Portland, Oregon, “The Owl on the Road to Medford” (Read an excerpt)
Fiction final judge Stevan Allred says about the story:
The winning story gives us a young couple with two problems to solve. One is immediate—what to do about a live bird they’ve come across on the road–and one is existential—will their luck change if they move to Medford? It gives us a sardonic narrator who runs a wildlife rehab center, someone who’s seen it all, and doesn’t think much of the human race. It gives us the sophisticated structure of a peripheral narrator—the story is told by the sardonic narrator, but it’s about the couple. The author’s prose is crisp and confident. The characters are well-drawn and convincing, the setting a little exotic, and the story itself has something to say about the power of a little routine kindness to change the course of events. There’s no real miracle at its core, only the daily miracle of rising above our own cynicism to find a moment of redemption in our daily lives. But that is the human condition, and this story, “The Owl on the Road to Medford,” evokes this truth without any undue sentimentality, and for all of these qualities, I say ‘Huzzah’ to this author. Well done!
Donna Farley, Surrey, British Columbia, “The Witnesses”
Harry Demarest, Corvallis, Oregon, “One Big Coffin”
First Honorable Mention
Lois Rosen, Salem, Oregon, “The Jewish Colleen”
Other Honorable Mentions (alphabetical by author)
Patricia Barnhart, Lakeview, Oregon, “Spin Cycle”
Patsy Lally, Lake Oswego, Oregon, “The Day I Met My Mother”
Chet Skibinski, Lake Oswego, Oregon, “An Old Man With a Beard”
“Entries of Note” (alphabetical by author)
Gail Bartley, Bend, Oregon, “Mourning Becomes Her”
Harry Demarest, Corvallis, Oregon, “House in the Woods”
Jean Peterson, Nehalem, Oregon, “Dousing Dolly”
Beth Navarro, Corvallis, Oregon, “Road Trip”
Norma Seely, Manzanita, Oregon, “The Appraiser”
Participants in Stumptown Lit — authors, readers, exhibitors, volunteers, and workshop participants — may order lunch for the event through Friday, Oct. 3.
The lunches will be available only by advance order. They will be served at 11 a.m.
Each lunch consists of sandwich, salad, fruit, cookie, and beverage.
To pay by check, Stumptown lunch form (PDF) and mail it in.
Or use the form below to use credit or debit card on Paypal.